- On The Line
- Season 1
- Episode 3
24 Hours at a Michelin-Rated Restaurant, From Ingredients To Dinner Service
Released on 01/19/2022
Sometimes you're juggling,
do I really want this beautiful one thing
that I can maybe only really have for two or three weeks?
It's not really romantic,
cooking with all bunch of bruised stuff,
but I also wanna have a business
that is not just about an exchange of food for money.
Hey guys, I'm chef Greg Baxtrom,
owner of Olmsted and Maison Yaki across the street.
Why don't you head inside and follow me around for the day?
[timer beeps]
All right, so it's 9:00 am.
This is usually when I cover the farmer's market.
I like to come to see what's the best produce to work with
right now on the menu.
Sup chef?
We're at Norwich Meadows Farms,
their thing is that they are the largest organic farm
at the farmer's market.
So when I first get to Norwich,
I usually check in with Zaid and Haifa,
the owners of the farm.
Zaid and I approach shopping together
a couple of different ways.
One is just, what do we need for the menu
that we're currently running?
The other is what's on the farm that's not selling,
or what did he bring too much of to the market
that he's starting to feel like isn't gonna sell,
or that could just end up in the trash, or in the compost?
In sort of a way to mutually benefit
I try to purchase those things to sort of reduce food waste
and to still be putting a great organic product on the menu.
We've got a whole bunch of rutabaga
for the rutabaga pasta dish that we run.
We're gonna get kohlrabi,
and then bok choy for Maison Yaki.
So we're buying for both restaurants right now.
All right, so it's about 10:30,
it's time for me to get back to the restaurant.
I have everything I need from the farm
and we're gonna head back to Brooklyn.
[timer beeping]
[chill music]
Olmsted, we're about six years old.
We did not have a lot of money to open up this restaurant.
And my dad is a carpenter and I can clean pretty well,
so we just kind of together did whatever we could.
So like the bookshelf over the bar,
the whole chef's counter, everything,
the redoing the tables, he did it all.
There's a charm to Olmsted
and I feel like a lot of that has to do with sort of
this humble beginning thing that was started with my dad
and I just kind of doing all the work ourselves.
The chef's counter down and at the end
is literally framed out with barn wood,
from a barn that I used to play with my brother,
and we would jump out of the second floor
and like play tag and hide and seek out of it
and that's what the chef's counter is built out of.
And then the garden kinda has a lot of similar
components to that.
[timer beeping]
It's 11:00 am, it's time for me to check in with the cooks.
[door squeaking]
So we have two kitchens now.
This is the prep kitchen, this is the newer kitchen.
Because our other restaurant, Maison Yaki,
is just across the street what we do
is we basically prep everything
for both restaurants right here,
and then everyone kinda breaks off to their line.
So it's just sort of easier because there's more combies,
there's more firepower in these ones
than the other small service kitchens.
Usually the first two hours of the line cook's day
is here knocking out prep,
and then going over to the hotline.
When we first opened,
this was all we had was this small little thing.
This is the pass, this is where all the food gets plated.
We call this the meat station, the fish station,
and the garnishee station.
But it's just sort of for show,
it's just kind of like whatever can be made with a fryer
and the four burner stove gets made over here
or whatever can be made with a salamander and the flattop
is made here.
We've set up a grill,
whatever can be made with a grill
and an oven gets made there.
It's a small kitchen but it's efficient.
[timer beeps]
I love duck, which is why it's always on the menu.
The best thing that you can do for a duck
is not like some fancy recipe.
You can just have it be 14 days old.
And I know that that that kind of sounds weird
but what happens is there is a ton of water in this fat.
And by giving it some uncovered time in a refrigerator,
the water starts to evaporate and it forms a little skin
and that's how you get really crispy skin on the duck.
And so normally what you would do
is you would take the whole thing
and the whole thing would be 14 days.
But because we use so much duck in this restaurant
and we are fortunately busy,
we don't have storage space for these whole ducks.
So we break it down into all of its parts
and then just the breast gets aged for 14 days.
Everything else gets turned into liver mousse or duck fat
or whatever we wanna do with it.
You know, we have our whole ducks,
we need to break it down into like a million pieces.
They always come with their necks, which we use to stack.
They typically come with some awful livers and hearts,
sometimes gizzards.
So the livers get turned into a mousse that we use
the hearts a lot of the times,
I like to turn them into corn beef.
And then we skewer them
and then serve them as a skewer special across the street
at the French restaurant.
So it's no different than breaking down a chicken.
You break its legs,
you use its own weight to do the work for you.
So now there's just this guy here.
Sometimes you just kind of pinch it, right?
And now it's separated on both sides.
The trick that I was taught about butchering
but in general, but specifically bars this,
you count how many strokes
it takes you to get something off the carcass
and then you just kind of keep reducing that
as you get better.
And then you'll have less knife marks on there
and you'll have this sort of beautiful breast.
Sometimes we'll use the wings for a special
but if we're really in need of a lot of sauce,
we'll just use the wings to make a stock.
So we'll get a little bit more sauce out of it.
The fat comes off.
So these will just get roasted
and that's sort of it for the ducks.
So it turns out that we're actually making liver mousse,
duck liver mousse today.
Every ingredient for the liver mousse has been grammed out
from the spice blend, the salt, sugar,
and the pink salt to deliver themselves.
Bags, melted butter, it's a lot.
Take one of each and blend it and then strain it.
Our mousse is more like a custard.
We made a recipe that makes it really
like even if you're not a liver person,
you'll like this liver.
You can see that they're rendering duck over here.
They're making duck fat French fries for a family meal.
Chef Sherry is working on a new dish.
That's gonna have sort of like a beat crape
king crab and caviar
and we're gonna run it at a special night in Seattle.
People like it.
Sometimes we just get samples in
or we'll have something that's left over
from the menu change.
It'll be a small amount of something,
not enough to run a whole night worth
or really a full menu change,
but it's enough to kind of play around with.
So in this case,
we had a private event
and they requested caviar and king crab legs.
So we have a little bit of that leftover.
So we're playing around
with something that could just be run tonight as a special
or maybe we'll love it
and then it'll be on the menu next week.
But it's just sort of a creative outlet
for some of the stronger members of the team
to be able to play around with some ingredients basically.
[soft music]
It's really, really pretty out here especially at night.
The garden kale and crab Rangoon that we serve
a sweet and sour sauce.
We get that kale from the farmer's market
but also when we can,
we get it from right here in the garden.
All of this is in the brassica family
and all could be used sort of in the same recipe.
So this is sort of more like a Tuscan kale.
These are sort of wider cabbage leaves
in all of which can be incorporated into the recipe.
So the crab Rangoon filling is,
we didn't wanna use cream cheese,
so we make ricotta and we hang it
and then we blend it until it's really, really creamy.
And then we add the picked crab meat and chopped
so that it curl to it.
So we basically just pick an ice cream scooper
and we scoop it onto the lanterns,
fold into a little kind of purse and we fry it.
It's like four to an order.
We serve with chopsticks and sweet zip sauce.
The rutabaga pasta, it's a really simple one.
We have this like Japanese sheeter.
You can basically turn a rutabaga
into like sheets of pasta, like lasagna.
We cut them into like these long noodles.
We just kind of cook the pasta
just like you would in boiling water
and then we glaze it in that butter sauce.
We just make a really simple,
almost like a beurre blanc but less acidic.
And then we put a ton of truffles in it.
And then we finish with a ton of Parmesan cheese
to kind of have it seize up and get nice and salty.
And then we make these like brown butter bits
that we put over the top of it for sort of crunches.
It's also very classic to serve truffles
and brown butter together.
So it's heavy and noodley and tasty.
[timer beeps]
It's about two o'clock.
So the cooks are gonna start slowing up soon.
So all the sous chefs and chefs
they're wrapping up their projects
so that way they can make room including myself
so that way the cooks can kind of spread out
and do their work now.
Across in the prep kitchen they were rendering ducks,
which they brought some of them over here.
So like, you can see like these were 14 days old.
So they're like perfectly shiny and golden brown
and like not bouncy fat, like that's just,
there's nothing left.
There's just a little chip of fat on their crispy skin.
I have to grab some more duck that I butchered in cleanup
but like this is all the tenderloins
and this is pork butt.
It's the easiest way to make a sausage.
Every sausage recipe they're gonna say, you know,
lean meat and fat.
If you just use a pork butt, it's already that ratio.
And so you can just cut up a pork butt,
which is a pork shoulder and grind it
and make sausage out of it.
And so we'll just do that
while incorporating 50% duck into it.
And then a whole bunch of like spices and herbs and garlic
and all that stuff.
[mincer grinding]
I mean, we do duck like 10 ways
but when you get the duck entree at Olmsted,
it always comes in two forms.
So like right now it's duck confit in the form of recoragu.
But often it's also duck sausage
that we can press into a quarter tray
and you can steam it off.
And then you'll have basically like a brick of sausage
and you can cook it perfectly then, right?
What we'll do is then we'll like cut diamonds
or little butans or something
to then like put on a grill.
And so then we can have like a beautiful shape of a sausage
with a piece of duck breast
instead of just like always having
sausage and a casing, right?
It's like a little boring.
Anyways, that is a proper sausage.
And it's nice and crispy, you see?
[timer beeps]
Right around four is when like everyone's culminating here.
The person that works here tonight,
they'll start setting up this how they want it.
Three people will be doing the same for their station.
There'll be gathering a lot of stuff.
They'll start doing
the kind of cooking those last minute things.
Kind of like doing a lot of simple work too,
like knife work like chives and chop shallots and stuff.
And at that same time
is when like the dining room is being set up.
You see that Andrew, our head bartender for the restaurants
is setting up the bar right now.
Now is when people start to come.
[upbeat music]
So people typically start and finish a meal in the garden.
A lot of the snacks are like finger food
or only needs a spoon and same thing with the desserts.
We do s'mores and we introduced like a hot cocktail program.
So you can have like spiked hot cocoa
and you know, hot toddies and all this stuff.
The best compliment I ever received about Olmsted
was a guest said that Olmsted is like if Alinea
and Blue Hill At Stone Barns had a casual baby.
Casual fine dining you know, with the conscience.
Thanks for spending the day with me here at Olmsted.
I hope you enjoyed the watching while we cook.
And next time you're in the neighborhoods, swing by.
Starring: Greg Baxtrom
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